When it took place, New York-born Avedon was 32 and had been a professional photographer for ten years. He had been recruited to work as a staff photographer for Harper’s Bazaar in 1945 soon after completing his military service, by the influential art director Alexey Brodovitch. Avedon, with his enthusiasm, inventiveness and instinctive visual flair, soon established himself as a significant new voice in fashion photography.
The model chosen for the Cirque d’Hiver shoot was known as Dovima. Her real name was Dorothy Virginia Margaret Juba, but she created her professional name from the first two letters in her three given names. Tall and slender, Dovima epitomised 1950s style and was said to be one of the highest-paid models of the period. She and Avedon often worked together and Dovima later commented that the two of them ‘became like mental Siamese twins, with me knowing what he wanted before he explained it. He asked me to do extraordinary things, but I always knew I was going to be part of a great picture.’ For this particular Harper’s Bazaar shoot, Dovima was asked to pose close to four circus elephants. The shoot took place on a hot summer’s day. Avedon later recalled that when he entered the area where the elephants were kept, he saw that the animals were beautifully lit by natural light. ‘I saw the elephants under an enormous skylight and in a second I knew … there was the potential here for a kind of dream image.’
Richard Avedon, selfportrait |
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